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The newspaper press was an essential aspect of the political culture of the French Revolution. Revolutionary News highlights the most significant features of this press in clear and vivid language. It breaks new ground in examining not only the famous journalists but the obscure publishers and the anonymous readers of the Revolutionary newspapers. Popkin examines the way press reporting affected Revolutionary crises and the way in which radical journalists like Marat and the Pere Duchene used their papers to promote democracy.

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The reporter who filed the last dispatch before falling with Custer at his "last stand" against the Sioux.The Honolulu bureau chief who looked up from his breakfast table to see Japanese planes flying low andcalled San Francisco, managing to dictate a single paragraph before all communications to the mainlandwere cut. The Saigon bureau chief who served Coca-Cola and pound cake to three North Vietnamesesoldiers before writing the bulletin announcing the fall of Saigon. These are but a few of the gripping anddramatic stories reported first by the Associated Press in the past century and a half.In How the Associated Press Has Covered War, Peace, and Everything Else, the Associated Press throws open its archives and invites readers into its news bureaus and out into the field to witness first hand its groundbreaking reporting on presidents, elections, wars, civil rights, trials and crimes, disasters, business, and major sports events. The book conveys, through personal accounts,

"In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people"--

Does America have a free press? Many who answer yes appeal to First Amendment protections that shield the press from government censorship. But in this comprehensive history of American press freedom as it has existed in theory, law, and practice, Sam Lebovic shows that, on its own, the right of free speech has been insufficient to guarantee a free press.Lebovic recovers a vision of press freedom, prevalent in the mid-twentieth century, based on the idea of unfettered public access to accurate information. This “right to the news” responded to persistent worries about the quality and diversity of the information circulating in the nation’s news. Yet as the meaning of press freedom was contested in various arenas―Supreme Court cases on government censorship, efforts to regulate the corporate newspaper industry, the drafting of state secrecy and freedom of information laws, the unionization of journalists, and the rise of the New Journalism―Americans chose to define freedom of the press as nothing more than the right to publish without government censorship. The idea of a public right to all the news and information was abandoned, and is today largely forgotten.Free Speech and Unfree News compels us to reexamine assumptions about what freedom of the press means in a democratic society―and helps us make better sense of the crises that beset the press in an age of aggressive corporate consolidation in media industries, an increasingly secretive national security state, and the daily newspaper’s continued decline.

First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since.Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture

The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since.Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture

No author has attempted to write the history of all the newspapers on the North Olympic Peninsula—until now. Strait Press: A History of the News Media on the North Olympic Peninsula does that. There have been books that detailed the newspaper history in Clallam County, and two books covered the media history in Jefferson County. Now Strait Press encompasses both counties. This book is about not only newspapers but also radio stations and even television. The reader will learn which president came to Port Angeles in 1937 and was instrumental in establishing Olympic National Park. Creating that park was perhaps the most divisive issue in the history of the Port Angeles newspapers. You will discover why. Learn which newspaper owner in Sequim arrived and vowed to run the Sequim Press out of town and did it. Find out what well-known author spent a night in a Port Townsend jail on his way back from gold panning in the Klondike. In Forks, the reader will learn which newspaper owner became part of a quad marriage in which four sisters were wed in the same ceremony. The history of each area is discussed. Learn about mastodons, the Great Blowdown, devastating fires, oil spills, and how each paper handled 9/11. And whenever possible, the author infuses the discussion with humorous anecdotes. So pull up a chair and start your education of North Olympic news media.

This work examines both predominately black newspapers in general and four in particular--the Chicago Defender, the Pittsburgh Courier, the Black Dispatch (Oklahoma City), and the Jackson (Mississippi) Advocate--and their coverage of national events. The beginnings of the black press are detailed, focusing on how they reported the anti-slavery movement, the Civil War and the Reconstruction era. Their coverage of the migration of blacks to the industrial north in the early twentieth century and World War I are next examined, followed by the black press response to World War II and the civil rights movement. The survival techniques used by the editors, how some editors reacted when faced with threats of physical harm, and how the individual editorial policies affected the different newspapers are fully explored.

During the late nineteenth and early twentieth centuries, Britain, Canada, Australia, New Zealand, and South Africa were increasingly drawn together by an imperial press system. This is the first scholarly study of the development of that system. Simon J. Potter examines key debates during episodes such as the South African War and the First World War, and reveals the ambiguous impact of the system on local, national, and imperial identities.

This work examines both predominately black newspapers in general and four in particular--the Chicago Defender, the Pittsburgh Courier, the Black Dispatch (Oklahoma City), and the Jackson (Mississippi) Advocate--and their coverage of national events. The beginnings of the black press are detailed, focusing on how they reported the anti-slavery movement, the Civil War and the Reconstruction era. Their coverage of the migration of blacks to the industrial north in the early twentieth century and World War I are next examined, followed by the black press response to World War II and the civil rights movement. The survival techniques used by the editors, how some editors reacted when faced with threats of physical harm, and how the individual editorial policies affected the different newspapers are fully explored.

While claiming to be neutral, print and TV journalists often report the news from an anti-Christian point of view. Yet remarkably, in the nineteenth century many leading newspapers were Christian. What went wrong?

In this lively account of the rise of a commercial newspaper industry in imperial Russia, Louise McReynolds explores how the mass-circulation press created a forum for popular opinion advocating political change. From the Great Reforms of Tsar Alexander II in 1855 to the Bolsheviks' shut-down of the newspapers in 1917, she chronicles the exploits of publishers and editors, writers and readers. Arguing that this prosperous industry both expressed and shaped the development of ideas among new social groups, McReynolds provides insight into the growth in Russia of a fragile pluralism characteristic of modern societies. Her discussion of the relationship between communications and politics, which draws especially on Jurgen Habermas, combines a variety of interrelated ingredients: institutional histories of major newspapers, biographical sketches of journalists, the intellectual impact of the new language of newspaper journalism, the political ramifications of public opinion under the auspices of an autocratic government. Comparing the Russian press with independent commercial newspaper industries in the United States, England, and France, McReynolds examines the extent to which Russia was evolving according to Western political and socioeconomic patterns before the Bolshevik Revolution.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

News under Fire China’s Propaganda against Japan in the English-Language Press, 1928–1941 is the first comprehensive study of China’s efforts to establish an effective international propaganda system during the Sino-Japanese crisis. It explores how the weak Nationalist government managed to use its limited resources to compete with Japan in the international press. By retrieving the long neglected history of English-language papers published in the treaty ports, Shuge Wei reveals a multilayered and often chaotic English-language media environment in China, and demonstrates its vital importance in defending China’s sovereignty. Chinese bilingual elites played an important role in linking the party-led propaganda system with the treaty-port press. Yet the development of propaganda institution did not foster the realization of individual ideals. As the Sino-Japanese crisis deepened, the war machine absorbed treaty-port journalists into the militarized propaganda system and dashed their hopes of maintaining a liberal information order.

News under Fire China’s Propaganda against Japan in the English-Language Press, 1928–1941 is the first comprehensive study of China’s efforts to establish an effective international propaganda system during the Sino-Japanese crisis. It explores how the weak Nationalist government managed to use its limited resources to compete with Japan in the international press. By retrieving the long neglected history of English-language papers published in the treaty ports, Shuge Wei reveals a multilayered and often chaotic English-language media environment in China, and demonstrates its vital importance in defending China’s sovereignty. Chinese bilingual elites played an important role in linking the party-led propaganda system with the treaty-port press. Yet the development of propaganda institution did not foster the realization of individual ideals. As the Sino-Japanese crisis deepened, the war machine absorbed treaty-port journalists into the militarized propaganda system and dashed their hopes of maintaining a liberal information order.

In this lively account of the rise of a commercial newspaper industry in imperial Russia, Louise McReynolds explores how the mass-circulation press created a forum for popular opinion advocating political change. From the Great Reforms of Tsar Alexander II in 1855 to the Bolsheviks' shut-down of the newspapers in 1917, she chronicles the exploits of publishers and editors, writers and readers. Arguing that this prosperous industry both expressed and shaped the development of ideas among new social groups, McReynolds provides insight into the growth in Russia of a fragile pluralism characteristic of modern societies. Her discussion of the relationship between communications and politics, which draws especially on Jurgen Habermas, combines a variety of interrelated ingredients: institutional histories of major newspapers, biographical sketches of journalists, the intellectual impact of the new language of newspaper journalism, the political ramifications of public opinion under the auspices of an autocratic government. Comparing the Russian press with independent commercial newspaper industries in the United States, England, and France, McReynolds examines the extent to which Russia was evolving according to Western political and socioeconomic patterns before the Bolshevik Revolution.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

For more than fifty years, the Chicago-based Associated Negro Press (ANP) fought racism at home and grew into an international news organization abroad. At its head stood founder Claude Barnett, one of the most influential African Americans of his day and a gifted, if unofficial, diplomat who forged links with figures as diverse as Jawaharlal Nehru, Zora Neale Hurston, and Richard Nixon. Gerald Horne weaves Barnett's fascinating life story through a groundbreaking history of the ANP, including its deep dedication to Pan-Africanism. An activist force in journalism, Barnett also helped send doctors and teachers to Africa, advised African governments, gave priority to foreign newsgathering, and saw the African American struggle in global terms. Yet Horne also confronts Barnett's contradictions. A member of the African American elite, Barnett's sympathies with black aspirations often clashed with his ethics and a powerful desire to join the upper echelons of business and government. In the end, Barnett's activist success undid his work. Horne traces the dramatic story of the ANP's collapse as the mainstream press, retreating from Jim Crow, finally covered black issues and hired African American journalists.

For more than fifty years, the Chicago-based Associated Negro Press (ANP) fought racism at home and grew into an international news organization abroad. At its head stood founder Claude Barnett, one of the most influential African Americans of his day and a gifted, if unofficial, diplomat who forged links with figures as diverse as Jawaharlal Nehru, Zora Neale Hurston, and Richard Nixon. Gerald Horne weaves Barnett's fascinating life story through a groundbreaking history of the ANP, including its deep dedication to Pan-Africanism. An activist force in journalism, Barnett also helped send doctors and teachers to Africa, advised African governments, gave priority to foreign newsgathering, and saw the African American struggle in global terms. Yet Horne also confronts Barnett's contradictions. A member of the African American elite, Barnett's sympathies with black aspirations often clashed with his ethics and a powerful desire to join the upper echelons of business and government. In the end, Barnett's activist success undid his work. Horne traces the dramatic story of the ANP's collapse as the mainstream press, retreating from Jim Crow, finally covered black issues and hired African American journalists.